Updates from October, 2008

  • metalcyberspace 3:16 am on October 29, 2008 | 0 Permalink
    Tags: Art Nouveau, Art Nouveau Jewellery, Art Nouveau Jewelry, Cincinnati Art Museum, Elyse Karlin, George Fouquet, Henri Vever, Imperishable Beauty, , , , , Louis Aucoc, Louis Comfort Tiffany, Museum of Fine Arts, publications, , Yvonne Markowitz

    Imperishable Beauty: Art Nouveau Jewelry
    Through Nov.9, 2008 at the Museum of Fine Arts – Boston MA USA
    travels to the Cincinnati Art Museum – Nov. 1, 2009-Feb. 28, 2010

    More than 100 pieces will be shown.
    The majority of the works, by such recognized masters as René Lalique, George Fouquet, and Louis Comfort Tiffany, are drawn from a private collection representing one of the largest and most important assemblages of Art Nouveau jewelry in the United States. More than half of the pieces have never before been exhibited. Included are such fanciful works as a belt buckle with lily pads and blossoms by Henri Vever and a pendant/brooch with female bust, probably by Louis Aucoc, both of which are from about 1900. A catalog of the exhibit is available

    Imperishable Beauty: Art Nouveau Jewelry Imperishable Beauty: Art Nouveau Jewelry – Yvonne Markowitz, Elyse Karlin – 2008

     
  • metalcyberspace 10:04 pm on October 22, 2008 | 0 Permalink
    Tags: 101 Bench Tips for Jewelers, Alan Revere, , Euro Tool, jeweler, , , jewelry pliers, jewelry tools, , pliers, , Revere pliers,

    Alan Revere of Revere Academy of Jewelry Arts designs pliers

    Alan Revere pliers

    Alan Revere pliers

    After two years in development, a newly refined and improved set of pliers, designed by Alan Revere, is available for goldsmiths and jewelry makers everywhere. The result of research, refinement and redesign, the new pliers incorporate a unique textured grip, which was designed by goldsmith Alan Revere of San Francisco, California. “We started with the finest German-made pliers available and added a totally new grip that increases function and efficiency. These pliers help get the job done, rather than getting in the way,” says Revere of his latest design.

    Alan Revere pliers photo by Christine Dhein

    Alan Revere pliers

    A prominent jewelry author and educator, Alan Revere is a German trained master goldsmith, award winning jewelry designer, and founder of the Revere Academy of Jewelry Arts in San Francisco, California. Dissatisfied with pliers currently available through suppliers, a few years ago Revere wrote an article in MJSA Journal. In it he suggested that bench jewelers rip the springs and brightly colored plastics handles off of their pliers for improved control and performance. These controversial instructions later become tip number 63 in Revere’s book, 101 Bench Tips for Jewelers, published by MJSA/AJM Press in 2004. Revere argued that both the handles and springs diminish tactile sensation, reduce kinesthetic feedback and ultimately lower the function of pliers.

    Alan Revere pliers photo coutesy of EuroTool

    Alan Revere pliers set

    Shortly afterwards, Revere was invited to a small German factory, where they have been making pliers by hand for generations. In this workshop, which takes great pride in hand craftsmanship and quality, Revere was asked to design a set of pliers to meet his ultimate expectations. He had a good idea of what he wanted; sturdy, but precise, un-plated pliers with bare metal grips and no springs. The jaws had to have a #240 grit finish, which leaves a fine “tooth” that grabs onto metal but does not mar it, as well as slightly rounded corners. While plain bare metal was preferable to plastic covered handles, Alan wanted to develop something new, something unique as well as attractive, a design that would provide more functional grip than anything he had seen.

    Beginning with patterns filed into his own pliers, Revere developed several possibilities. But he soon discovered that producing them in quantity would be impossible. So working further, he came up with a new and improved grip that the German workshop could reproduce. In order to add the pattern, a new tool was required to carve the notches just as Revere had filed into his own handles.

    The new grips feature a series of graduated cylindrical notches to add surface contact. This increases sensitivity, adds kinesthetic feedback and therefore elevates precision control of the tool. In addition, the grip pattern is very attractive and comfortable

    Revere’s ultimate pliers are intended for serious jewelers and bench workers. Revere Pliers come in flat, chain, round and half round/flat versions. Made of top quality high carbon steel, each pair goes through 50 exacting steps in forming, shaping, grinding, finishing, texturing, etc. from the rough blank to the final finish. Each pair receives extra care and quality control, to assure that they meet Revere’s standards.

    Revere pliers are available across the United States and around the world, distributed exclusively through Euro Tool, Inc. Available individually or as a set with a wooden stand, Revere pliers come with instructions on use and maintenance, as well as the history of Revere pliers.

    MJSA Journal 101 Bench Tips for Jewelers  The Art of Jewelry Making: Classic & Original Designs - Alan Revere  Professional Goldsmithing: A Contemporary Guide to Traditional Jewelry Techniques - Alan Revere

     
  • metalcyberspace 7:05 am on October 15, 2008 | 0 Permalink
    Tags: Anya Kivarkis, Christine Dhein, , , Cornelia Parker, Emiko Oye, , Gerd Rothman, Gijs Bakker, Janine Antoni, , , Joan Parcher, Kate Wagle, Lauren Fensterstock, Melanie Bilenker, , Myra Mimlitsch-Gray, Nick Dong, Otto Künzli, , Shana Astrachan, Susan Cummins, The Thinking Body

    The Thinking Body
    San Francisco Museum of Craft+Design
    Oct.17, 2008 – Jan.4, 2009

    Photos from the exhibition on facebook

    PREVIEW RECEPTION:
    Thursday, Oct. 16, 2008, 6-8pm

    An exhibition focused on contemporary American and European metalsmiths whose work considers the body in relation to its physical and intellectual environment.

    Artists include: Janine Antoni, Cornelia Parker, Gijs Bakker, Joan Parcher, Lauren Fensterstock, Myra Mimlitsch-Gray, Gerd Rothman, Otto Künzli and Melanie Bilenker.

    Bay Area artists Nick Dong, Emiko Oye, and Christine Dhein have created interactive installations running concurrently providing an alternative experience for the viewer and DIY activities for visitors.

    Co-Curators:
    Kate Wagle: Chair, Art Department, University of Oregon
    Anya Kivarkis: Visiting Professor, Metals & Jewelry, University of Oregon

    Exhibition Design: Ted Cohen
    Catalogue available in the SFMC+D Museum Store

    PUBLIC PROGRAMS
    Speaker Series Event:
    Crafting Experience, Experiencing Craft Sat., Nov.1, 3:30-5:30pm at SFMC+D, then the Larkspur Hotel

    Moderator: Susan Cummins, Director, Rotasa Foundation
    Panelists: Kate Wagle, Anya Kivarkis and Frank Wilson, neurologist and author
    [Free to members/$10 for non-members]

    CHILDREN’S PROGRAMS
    MakeArt Workshop: Accessorize with Small Toys!
    Sat., Nov.15, 1-3:30pm
    DIY workshop with jewelry artists Emiko Oye and Shana Astrachan
    Free workshop
    [To register, call 415.773.0303; Advance registration required]
    Visit the MakeArt Gallery anytime to experience DIY jewelry!

    Generous support from the San Francisco Grants for the Arts/Hotel Tax Fund, The Bernard Osher Foundation, COMERICA Palo Alto, Burr, Pilger & Mayer Foundation, Susan Beech, the Larkspur Hotel, and De Novo Fine Contemporary Jewelry.

    San Francisco Museum of Craft+Design
    550 Sutter St. San Francisco, California 94102
    415.773.0303 Tues. thru Sat. – 10-5, Thurs. – 10-7, Sun. – 12-5

     
  • metalcyberspace 5:44 pm on October 14, 2008 | 0 Permalink
    Tags: Alexander Calder, Calder's Circus, , mobiles, , Paris, stabiles, , wire sculpture

    Alexander Calder: The Paris Years 1926-1933

    Alexander Calder: The Paris Years, 1926-1933
    at the Whitney Museum – New York, NY USA – Oct.16, 2008-Feb.15, 2009
    then travels to:
    the Centre Pompidou – Paris France – March 18-July 20, 2009

    This exhibition looks at Calder’s formative years (1926-1933) when he arrived at his revolutionary notion of “drawing in space”.

    “Calder’s Circus” will be presented in a new installation.

    Wire sculptures will include all four extant Josephine Bakers together for the first time, mechanized moving abstractions, some never-before-exhibited animals from Calder’s bestiary and his first ceiling-suspended mobile.

    His first Paris sketchbook will be on view along with previously unexhibited drawings.

    Rare films include:
    Sculptor Discards Clay, of 1928
    Le Grand Cirque Calder 1927 (1955) by Jean Painlevé
    Montparnasse–Where the Muses Hold Sway 1929 – Calder is seen as a member of the artists’ community of Montparnasse creating a wire portrait of Kiki de Montparnasse.

    Calder and his works portrayed in photographs by Brassaï, Kertész, Thérèse Bonney, Agnès Varda, and Marc Vaux.
    A catalog of the show is available.

     
c
compose new post
j
next post/next comment
k
previous post/previous comment
r
reply
e
edit
o
show/hide comments
t
go to top
esc
cancel